When does the opening take place?

The opening is on 24.09.2026 from 18:00 to 21:30 at c-punkt MÜNSTERFORUM in Freiburg.

Is the admission free?

Yes, the event is officially stated to be free of charge.

Is the exhibition accessible?

Yes, the event is designated as accessible.

Do you need to register?

No, registration is not necessary.

What are the opening hours of the exhibition?

The stated opening hours are Monday to Friday from 10:00 to 18:00 and Saturday from 10:00 to 16:00.

Where does the event take place?

At c-punkt MÜNSTERFORUM, Herrenstraße 33, 79098 Freiburg.

Cornelia Steinfeld presents a quiet world of images full of comfort, questions, and hope

Name: Grief, Death and Life – Graphics by Cornelia Steinfeld
Start: 2026-09-24T18:00:00+02:00
End: 2026-09-24T21:30:00+02:00
Location: c-punkt MÜNSTERFORUM

An artistic experience between loss, comfort, and hope

The opening of “Grief, Death and Life” invites you to an exhibition in Freiburg that does not shy away from existential questions, but translates them into a clear, calm imagery. Cornelia Steinfeld opens a space for contemplation, aesthetic experience, and personal resonance with her graphics.

Reduction as artistic power

Steinfeld works with a reduced language of forms and colors that does not explain meanings, but condenses them. This is precisely where the strength of this exhibition lies: From a few lines, distinct areas, and symbolic order, a quiet intensity emerges that focuses on biblical passages, hope, and human vulnerability.

Between Bible, Image, and Present

The exhibition looks at selected biblical texts and opens pathways to themes that touch many people directly: the search for meaning, farewell, memory, and optimism. Art historically, this imagery moves in the tension between religious graphics, modern design, and cultural education. Thus, visitors experience an artistic encounter that does not instruct, but sensitively accompanies.

A place for silence and conversation

The opening at c-punkt MÜNSTERFORUM offers an atmospheric setting for an audience that wants to not just view but experience art. Music by Doesjka van der Linden on the harp enhances the contemplative character of the evening. The exhibition connects exhibition atmosphere with substantive depth and creates an access that remains open even for art-interested individuals outside of church contexts.

Didactic added value and cultural education

Particularly convincing is the educational approach: The works speak in a clear visual grammar that leaves room for interpretation. This is exactly where their educational value lies. Those who engage with the exhibition experience art as a medium for reflection on grief work, hope, and human resilience.

Conclusion: This opening promises a quiet, yet compelling encounter with contemporary graphics and spiritually charged image art. Those who appreciate the connection of religious themes, modern design, and a contemplative exhibition atmosphere should definitely experience this event live in Freiburg.